Doc Distro Lit Review: Documentary

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Exploring the potential impact of the Sundance Film Festival on the documentary genre, journalist Anthony Kaufman delves into the festival's lineup, industry trends, and the challenges and opportunities faced by documentary filmmakers in the evolving landscape.
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Considered the largest US documentary film festival, DOC NYC offers filmmakers opportunities for exposure and networking, though industry insiders offer mixed sentiments, conveying concerns over the festival's breadth and money-making initiatives.
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Writer Anthony Kaufman reports on filmmakers alleging that nonfiction entertainment studio XTR has not followed through on significant grant offers, including one to South African filmmaker Milisuthando Bongela, casting doubt on its reliability and integrity within the industry.
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Evaluating the landscape of the documentary field in 2023, Anthony Kaufman reports on the types of stories that are gaining prominence and filmmakers' attitudes toward a seemingly contracting industry.
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Journalist Anthony Kaufman provides case studies and insights into various films from the 2023 Sundance Film Festival, shedding light on the festival's notable occurrences and trends in the industry.
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An account from the 2023 Camden International Film Festival (CIFF), featuring discussions of documentaries "Beyond Utopia," "A Golden Life," and "The Last Year of Darkness," alongside a discussion of the film industry's contradictions.
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Firelight Media's Marcia Smith spoke with documentary veterans Brian Newman and Geralyn Dreyfous about the state of the documentary industry, discussing market shifts, positive developments, and the need for audience advocacy.
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Writer Addie Morfoot describes the 2024 Oscar documentary shortlist race, with fewer streamer-backed films opening up possibilities for filmmakers utilizing smaller awards campaign budgets.
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Hosts of Deadline and Nō Studios's Doc Talk podcast, writer-director John Ridley and Deadline’s documentary editor Matt Carey, speak with Diane Becker (producer, "King Coal"), Joe Peeler (co-director, "Bad Press"), and Keith Wilson (producer, "Joonam") on their innovative approach to Oscar awards campaigning, with their DIY FYC (Do It Yourself For Your Consideration) strategy.
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At Color Congress's National Convening, Karin Chien from Distribution Advocates, presents plans to address the documentary distribution crisis, by fostering collaboration for a more equitable filmmaking ecosystem.