Menu
- May 24, 2024
Writer Anthony Kaufman discusses how issues coming to the surface amid the current independent distribution landscape are reminiscent of topics he wrote about in the early-to-mid 2000s—and recalls the case of filmmaker Lance Hammer, who turned down a distribution deal in 2008 for his film "Ballast," in order to self-release and retain the rights of the film.
- May 23, 2024
Strategic brand consultant and independent film producer Brian Newman conveys his current rules for distribution, including details about the decreasing role of streamers in acquiring documentaries and in output deals with distributors, declining transactional revenue and theatrical engagement with documentaries (aside from event screenings), and more ideas for reaching a targeted audience.
- May 14, 2024
Writer Jeremy Fuster describes how some filmmakers are opting for self-distribution strategies that allow them to build their own theatrical footprint and marketing efforts—in the cases of three films: "The Occult," "Hundreds of Beavers," and "Anchorage."
- April 16, 2024
Writer Brooks Barnes reports on the closure of Participant Media, a production company that focused on social issue dramas and successful documentaries like "An Inconvenient Truth," "The Cove," and "RBG."
- March 18, 2024
Writer Anthony Kaufman reflects on the state of independent film distribution following several events fostering exploration on the subject at the 2024 Sundance Film Festival, reporting on the challenges independent film exhibitors face in reaching audiences and potential solutions like varying programming, theatrical distributor P&A subsidies, and blockchain-backed distribution models.
- March 7, 2024
Color Congress released a report in March 2024, detailing their findings from the first two years of collaborating with member organizations, shedding light on their network of documentary film organizations led by people of color and their ideas for helping to diversify the types of stories reaching audiences.
- March 4, 2024
Deadline's Dade Hayes interviews Angel Studios CEO Neal Harmon, delving into the success of "Sound of Freedom," Angel's faith-based content, and the company's community-driven models for content creation and modification, as well as for theater ticket support—revealing a company working outside the Hollywood's system's approach to reaching audiences.
- March 1, 2024
Hollywood faces challenges in 2024 with disruptions from strikes and pandemic-related issues, prompting a shift to producing quick, self-contained films and a call for the industry to reconnect with an entrepreneurial spirit amid uncertainties about streaming services and declining movie genres.
- February 21, 2024
Hosted by producer, filmmaker, and Distribution Advocates co-founder Avril Speaks, this episode of the Distribution Advocates Presents podcast features conversations with industry leaders Amy Hobby, Kaila Sarah Hier, Abby Sun, and Jemma Desai, on the film festival system's efficacy in promoting discovery, dealmaking, and filmmaker connection, as well as the language and meaning evoked by this environment.
- February 21, 2024
Hosted by producer, filmmaker, and Distribution Advocates co-founder Avril Speaks, this episode of the Distribution Advocates Presents podcast features conversations with industry leaders Barbara Twist, Matt Stoller, Kaila Sarah Hier, Abby Sun, Efuru Flowers, Carlos Gutiérrez, and Jemma Desai, on the film exhibition landscape and new exhibition frameworks that prioritize audience engagement, emphasizing the pivotal role of reaching audiences in filmmaking.
- February 15, 2024
Strategic brand consultant and independent film producer Brian Newman assesses the state of censorship in independent filmmaking—at film festivals, as well as with funding, streaming distribution, online promotional opportunities, and more.
- February 8, 2024
The British Film Institute (BFI) has awarded new grants through its UK Global Screen Fund, endowed by the Department for Culture, Media, and Sport (DCMS), to nine UK independent screen projects for international distribution, targeting Film Sales, Prints & Advertising (P&A), and Festival Launch tracks to boost the global visibility of UK feature films, with further funding opportunities available in different categories.
