Doc Distro Lit Review: Box Office

Netflix Cover Photo for Beckham's Official Trailer

Celebrities and their Documentaries: Beckham’s Netflix Series Drives a $36m Payday, and more

Celebrity documentaries are producing outsized financial returns for their subjects and unprecedented creative control, with Netflix’s “Beckham” series netting $36 million.
People in movie theatre seats with drinks and popcorn in hand smiling up at the screen

NATO Report Goes Beyond Box Office to Assess Strength of Theatrical Exhibition

A NATO report projects strong theatre attendance trends, with 85% of moviegoers planning to maintain or increase their theatre visits in 2025. Gen Z and Hispanic audiences show particularly strong engagement, with Gen Z ranking opening weekend moviegoing as their top leisure activity and Hispanic viewers being 11% more likely to attend opening weekend than the general population.
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This Oscar Season Just Got Its Dumbest Controversy Yet

Slate Senior Editor and Writer Sam Adams discusses the controversy surrounding the 2024 Oscar nominations for Best Documentary, citing disgruntlement from some industry insiders over the lack of American nominees.
Photograph of people dancing in the street in front of the Egyptian Theatre at the Sundance Film Festival

At Sundance, Indie Film Struggles to Find a Working Business Model

Founder, CEO, and Editor in Chief of TheWrap, Sharon Waxman reports on perceptions of the faltering independent film business model at the 2024 Sundance Film Festival. *Please note: This article is behind a paywall.
Goteborg Film Festival logo

Nostradamus Report: Paradox of Hope

The 2024 Nostradamus Report identifies a paradoxical sense of hope amid industry upheaval, calling for human-centered innovation and new storytelling strategies to revitalize a film ecosystem under economic and technological strain.
Photograph of a person looking to the side with their arms raised midway

Inside DOC NYC: Power, Profit, and Community at America’s “Largest” Doc Fest

Considered the largest US documentary film festival, DOC NYC offers filmmakers opportunities for exposure and networking, though industry insiders offer mixed sentiments, conveying concerns over the festival's breadth and money-making initiatives.
Photograph of a person wearing a white hat and sunglasses waving one arm forward

Hollywood’s Elusive Goal This Year: Streaming Profits

A Hollywood Reporter editor assesses streamers' profitability from the recent earnings season, highlighting the positions of Netflix, Warner Bros. Discovery, and Disney.
Image with the message "2023 A Look Back" and the logos of Disney+, HBO Max, Peacock, Paramount+, Netflix, Hulu, AppleTV+, and Prime Video

After the “Great Netflix Correction,” Streaming Looks to Find New Pragmatic Footing

In 2023, streaming platforms prioritized profitability, introduced advertising, and formed unique partnerships, facing challenges in content buzz, user interface, and pricing adjustments.
Photograph of two people smiling into the camera and wearing sunglasses

This Was the Year That the Golden Age of Documentary Felt like a Distant Memory

Evaluating the landscape of the documentary field in 2023, Anthony Kaufman reports on the types of stories that are gaining prominence and filmmakers' attitudes toward a seemingly contracting industry.
Photograph of people standing outside a cinema entrance

Toronto’s Indie Cinema Scene Is Booming: “It’s a Different Experience than, like, the Cineplex”

Writer Corey Atad describes the increased interest in repertory programming at independent theaters in Toronto.
Photograph of person walking

How David Zaslav Blew Up Hollywood

Writers Jonathan Mahler, James B. Stewart, and Benjamin Mullin detail David Zaslav's impact as CEO of Warner Brothers Discovery, including his strategies to cut costs following the merger and controversial decisions in programming and focusing funds.
Photograph of a video camera with microphone

Time to Break Up Hollywood

Writer Matt Stoller argues that streaming giants and industry consolidation are steering Hollywood toward limited content and unfair working conditions, leading to tense negotiations and solidarity over union strikes.
Photograph of two people looking into the camera amidst many computer screens in an office

Producer Data: The Numbers Don’t Lie (The Truth about Independent Film Revenue)

Independent film veterans Naomi McDougall Jones and Liz Manashil analyzed the revenue information from 104 independent films, revealing profitability trends in films released since 2018, and finding that low-budget films with extremely famous, or unknown actors, opting for self-distribution have a higher chance of financial success.
Illustration of a pile of money on a chair with a camera and microphone around it

Inside the Documentary Cash Grab

Journalists Mia Galuppo and Katie Kilkenny explore the transformation of the nonfiction space into a lucrative industry with streaming platforms, featuring insights from filmmakers like Alex Gibney and Ken Burns on rising costs, ethical challenges, and the evolving nature of their profession.
Black and white photograph of an art piece

Digital Rocks: How Hollywood Killed Celluloid

Writer Will Tavlin chronicles the transition from celluloid filmmaking and exhibition to digital, highlighting the proposed benefits and the eventual pitfalls—offering a critical exploration of the difficulties in safeguarding cultural records in this digital era.