Doc Distro Lit Review: Documentary

Photograph of a person wearing glasses and a necklace
President and CEO of Independent Television Service (ITVS), Carrie Lozano spoke at the 2023 Camden International Film Festival on the potential opportunities to be found from perceived threats to the industry, looking at the creation of ITVS in the late 1980s as an example.
Photograph of a person wearing glasses
At the 2023 Camden International Film Festival, strategic brand consultant and independent film producer Brian Newman spoke about a "booming" documentary industry that is bound to "bust" and declared the need for collaborative strategizing around reaching audiences.
Compilation of photographs from films, featuring various people looking upward, at each other, or at the camera
New York Magazine Features writer Reeves Wiedeman spoke with more than eighty documentary filmmakers about the state of the industry with the streaming platforms playing a larger role in the production of such films.
Distribution Advocates logo
Reporting on the presentation of Distribution Advocates' data on film festival sales at the International Documentary Association's 2022 Getting Real Conference, film writer Anthony Kaufman describes the challenges independent documentary filmmakers face finding financing, festival acceptance, exposure, and distribution deals that make sense for them.
The Center for Media & Social Impact logo
A study by the Center for Media and Social Impact (CMSI) exposes a lack of diversity among documentary filmmakers, emphasizing the dominance of white men and revealing disparities in acknowledging racism, particularly in the representation of BIPOC and women of color across major platforms, including streamers, cable, and public television.
Slide showing the text: "US Film Festivals as a Point of Sale for Documentaries, Preliminary Data Presentation by Distribution Advocates, September 27"
Distribution Advocates' slideshow explores the link between film festivals and documentary distribution, featuring visuals on acceptance rates, director demographics, funding, and retained rights.
Illustration of a pile of money on a chair with a camera and microphone around it
Journalists Mia Galuppo and Katie Kilkenny explore the transformation of the nonfiction space into a lucrative industry with streaming platforms, featuring insights from filmmakers like Alex Gibney and Ken Burns on rising costs, ethical challenges, and the evolving nature of their profession.
Photograph of two people looking at each other
Freemantle's global head of documenaries, Mandy Chang, spoke at at the Copenhagen Intl. Documentary Film Festival (CPH: DOX), about how streaming platforms stick with true crime, sport, and celebrity-driven stories so that they become mainstream and popular, essentially locking out opportunities for other, perhaps viewed as "challenging," documentaries.
A three-year study of the UK feature-length documentary film industry, the UK Feature Docs project disseminated findings through conferences, events, and publications, including "Keeping It Real: Towards a Documentary Film Policy for the UK" and "Making It Real: A Policy Programme for UK Documentary Film"—as well as the formation of the Documentary Film Council (DFC).
Photograph of an open highway
Calling for a reimagining of the documentary film industry, cultural strategist Sonya Childress details inequities and issues found throughout the system, focusing on the areas of authorship, accountability, and ownership.