Doc Distro Lit Review: Literature Review

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Netflix released a comprehensive report of what people watched on the streaming platform, indicating hours viewed and more data, over a six-month period.
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An account from the 2023 Camden International Film Festival (CIFF), featuring discussions of documentaries "Beyond Utopia," "A Golden Life," and "The Last Year of Darkness," alongside a discussion of the film industry's contradictions.
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Writers Lacey Rose and Lesley Goldberg describe theories surrounding the anticipated flood of television pitches following the 2023 Writers Guild of America strike that failed to materialize, leading to concerns in the industry.
Image of three people with the headline "Beyond Resilience: The Documentary System Is Broken. Now What? Now Streaming"
Firelight Media's Marcia Smith spoke with documentary veterans Brian Newman and Geralyn Dreyfous about the state of the documentary industry, discussing market shifts, positive developments, and the need for audience advocacy.
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Writer Addie Morfoot describes the 2024 Oscar documentary shortlist race, with fewer streamer-backed films opening up possibilities for filmmakers utilizing smaller awards campaign budgets.
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Writer Anthony D'Alessandro details the new arrangement between HBO, Max, and A24, in their exclusive multiyear pay-one output agreement, which grants HBO, Max, and Cinemax rights to A24's film releases after their theatrical run.
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Forbes contributing author Corey Martin highlights impactful deals in the media and entertainment industry during 2023 and outlines key trends to monitor in the upcoming year.
Deadline and Nō Studios's Doc Talk podcast logo
Hosts of Deadline and Nō Studios's Doc Talk podcast, writer-director John Ridley and Deadline’s documentary editor Matt Carey, speak with Diane Becker (producer, "King Coal"), Joe Peeler (co-director, "Bad Press"), and Keith Wilson (producer, "Joonam") on their innovative approach to Oscar awards campaigning, with their DIY FYC (Do It Yourself For Your Consideration) strategy.
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Writer Anthony D'Alessandro details a new micro-budget film initiative launched by production company Plan B Entertainment and led by veteran producer and acquisition/production executive Caddy Vanasirikul, that aims to help finance lower cost films.
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While Lily Gladstone receives accolades for her role in Martin Scorsese's "Killers of the Flower Moon," her other film, "Fancy Dance," from Indigenous women filmmakers Erica Tremblay and Miciana Alise, has struggled to secure a distribution deal despite the filmmakers claims of meeting industry criteria for success—inspiring calls for change in industry support of Native American-led storytelling.
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Writer Corey Atad describes the increased interest in repertory programming at independent theaters in Toronto.
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Netflix and Amazon in India grapple with government censorship, resorting to self-censorship and opting for safer content, raising concerns about artistic freedom and a potential cultural homogenization.
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Writers Jonathan Mahler, James B. Stewart, and Benjamin Mullin detail David Zaslav's impact as CEO of Warner Brothers Discovery, including his strategies to cut costs following the merger and controversial decisions in programming and focusing funds.
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Utilizing research from data provider Digital-i, writer Lucas Shaw discusses the low performance numbers for original programs on Netflix.
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At Color Congress's National Convening, Karin Chien from Distribution Advocates, presents plans to address the documentary distribution crisis, by fostering collaboration for a more equitable filmmaking ecosystem.
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Writer Todd Spangler reports that Best Buy will stop selling DVDs and Blu-ray discs in early 2024, aligning with a broader decline in physical media sales.
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Matt Grobar reports that LGBTQIA+ organization Outfest has postponed its Legacy Awards ceremony to 2024, paused other programming, and initiated leaves for most staff due to financial challenges.
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Variety co-editor-in-chief Cynthia Littleton discusses how the 2023 Writers Guild of America (WGA) strike exposed the flaws in the industry's bargaining system, and proposes the need for a process to integrate streaming-era economic structures into contracts, as well as for ongoing communication between labor and management.
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Writer Matt Grobar reports that more than 2,300 film and TV producers have signed a petition for the removal of the "P" from the AMPTP acronym for the Alliance of Motion Picture and Television Producers, and conveys the opinions of several producers who aim to draw attention to the position of producers in a changing industry.
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BBC Film announces two initiatives to support budding UK producers and address under-representation in the industry: the Associate Producer Programme and the opening of applications for the Small Indie Fund.