Research Initiatives

Documentary Film in the Public Interest Initiative

Inspiring a documentary film practice and infrastructure that can contribute to strong societies.

As people increasingly turn to visual media to help understand the world around them, the medium itself – the way it is produced, funded, distributed, and consumed – is continuously evolving. These changes are reconceptualizing documentary and creating more fluid boundaries between filmmakers, journalists, and creators.

DFPI pursues interdisciplinary research with a focus on documentary and nonfiction video. As one of the most influential forms of public-interest media, documentary occupies a unique position at the intersection of journalism, culture, civic engagement, and public understanding. The initiative asks how documentary can continue to inform, connect, and empower audiences amid rapid changes in technology, institutional trust, platform governance, and media consumption.

DFPI’s current research agenda is organized around two interconnected areas: the future of public media and civic infrastructure, and the evolving role of documentary within online media ecosystems.

Scroll down to learn more about the initiative’s research, people, and programming.

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Sara Archambault
photo of Sara Archambault, a light-skinned woman with brown hair, wearing a black blazer and shirt.

Sara Archambault

Research Consultant, Documentary Film in the Public Interest Initiative

Sydney Tanigawa
Sydney Tanigawa, a woman with light skin and chin length dark hair, wearing glasses and a collared shirt

Sydney Tanigawa

Project Coordinator, Documentary Film in the Public Interest Initiative

Nancy Gibbs
Nancy Gibbs, a light skinned woman with chin-length blond hair, smiles into the camera wearing a black sweater, white shirt, and gold necklace.

Nancy Gibbs

Lombard Director of the Shorenstein Center and Edward R. Murrow Professor of the Practice of Press, Politics and Public Policy at Harvard Kennedy School

DFPI is a non-partisan research initiative dedicated to advancing understanding of the future of documentary and visual storytelling, and supporting its role in building healthier, more resilient societies.. Through our fellowships and convenings, we strengthen the role of documentary as a vital source of public knowledge and civic engagement. 

A grid of headshots of former DFPI program fellows, including Natalie Bullock Brown, Karen Chien, Sarafina DeFelice, Amy Hobby, Tabitha Jackson, and Kirsten Johnson.
Learn more about the DFPI Fellowship

Fellowship Program

The DFPI’s Fellowship Program supports a select cohort of filmmakers, journalists, and scholars whose research probes the boundaries, opportunities, and dilemmas at the heart of public interest documentary practice and purpose. Fellows generate research and public knowledge and explore questions related to themes such as: 

  • Editorial standards and accountability in nonfiction storytelling. 
  • Ethical practice in documentary.
  • The synergies and rifts between documentary and journalism. 
  • Issues pertaining to current challenges and future opportunities for the documentary field.  

Generated research is designed to inform practitioners, policy makers, funders, and academics invested in the health of our information ecosystem. The fellowship period ranges from a semester to a full academic year. Fellowships are unpaid, but selected fellows have the opportunity to hire a Research Assistant from the Harvard community to enrich their work.  

former DFPI fellow Tabitha Jackson speaks at the 2025 Documentary Ideas Symposium
Read the report from the first annual Doc Ideas Symposium: Documentary at Risk

Doc Ideas Symposium

Each year, the DFPI hosts the Doc Ideas Symposium at Harvard Kennedy School. The symposium is a research-oriented convening that brings together fellows, scholars, filmmakers, industry leaders and invited guests to examine the ethical, editorial, and structural challenges shaping the documentary ecosystem today. The Symposium fosters frank debate, surfaces emerging answers to questions old and new, and builds connections that strengthen the documentary field’s civic mission. 

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