Doc Distro Lit Review: Article

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Data scientist and journalist Daniel Parris describes the economics of streaming, proposing that as streaming libraries grow, the content value diminishes, and therefore streamers are left with the options of producing less or cheaper content or going under.
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Writer Anthony Kaufman discusses how issues coming to the surface amid the current independent distribution landscape are reminiscent of topics he wrote about in the early-to-mid 2000s—and recalls the case of filmmaker Lance Hammer, who turned down a distribution deal in 2008 for his film "Ballast," in order to self-release and retain the rights of the film.
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Writer Rachael Healy details recent findings from Creative Industries Policy and Evidence Centre's quarterly Labour Force Survey, showing underrepresentation of working-class people in all areas of arts and culture.
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Writer Matthew Carey reports that the documentary film industry is thriving in Denmark, where filmmakers find support from the Danish Film School, government-funded Danish Film Institute, and the documentary film festival CPH: DOX.
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Writer Jeremy Fuster describes how some filmmakers are opting for self-distribution strategies that allow them to build their own theatrical footprint and marketing efforts—in the cases of three films: "The Occult," "Hundreds of Beavers," and "Anchorage."
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Writer Addie Morfoot reports on staff departures and government-funding issues surrounding the 2024 edition of the Hot Docs Film Festival.
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Variety Co-Editor-in-Chief Cynthia Littleton reports on the changing climate in Washington, DC, surrounding mergers and acquisitions and the enforcement of—and calls for revisions to—antitrust laws.
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Following the news of Participant Media shutting down, filmmaker and producer Davis Guggenheim discusses the company's focus on social impact—starting with a look at the origin of the documentary "An Inconvenient Truth."
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Writers Dominic Patten and Anthony D'Alessandro report that the Sundance Film Festival will now consider bids from potential new locations, and from the incumbent location, for the festival after its contract with Park City expires following the 2026 program.
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Writer Brooks Barnes reports on the closure of Participant Media, a production company that focused on social issue dramas and successful documentaries like "An Inconvenient Truth," "The Cove," and "RBG."
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Jacobin contributing editor Daniel Bessner reports on the current risk-averse state of the screenwriting business in Hollywood—discussing compensation trends and tracing the history of its value in the film and television industries through company consolidations, labor movements, streamers' strategies, executives' predisposition toward intellectual property-driven content, and more.
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Writers Jesse Whittock and Sara Merican delve into the competitive landscape of the streaming industry in Southeast Asia, where Prime Video and Disney+ are retracting much of their presence in original productions, leaving Netflix as the main American streamer commissioning projects there.